{"id":6809,"date":"2024-03-25T21:17:19","date_gmt":"2024-03-25T13:17:19","guid":{"rendered":"https:\/\/typesetter.hk\/in-unison-and-harmony-oral-history-of-older-lesbian-women-in-hong-kong\/"},"modified":"2026-05-21T15:46:22","modified_gmt":"2026-05-21T07:46:22","slug":"in-unison-and-harmony-oral-history-of-older-lesbian-women-in-hong-kong","status":"publish","type":"page","link":"https:\/\/typesetter.hk\/en\/in-unison-and-harmony-oral-history-of-older-lesbian-women-in-hong-kong\/","title":{"rendered":"In Unison and Harmony: Oral History of Older Lesbian Women in Hong Kong"},"content":{"rendered":"\n
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Incorporating the Life Stories of Older Lesbian Women into Queer Asian HistoriographyFeaturing Five Personal Interviews and Three Academic EssaysAn Eight-Year Field Study Across Hong Kong, Taipei, and Singapore<\/strong><\/p>\n\n\n\n

\u3000\u3000<\/strong>How did Hong Kong women born between the late 1930s and the late 1950s define love and intimacy? One danced a seventeen-year tango as part of a love triangle. Another vowed that in her next life, she would be a gay man. One has had countless romances but still lives alone, while another found true love at fifty. Yet another retreated into the closet at the same age due to religion.<\/p>\n\n\n\n

\u3000\u3000<\/strong>Today, they have reached their silver-haired years.<\/p>\n\n\n\n

\u3000\u3000<\/strong>This book combines moving life stories with a research lens on queer studies, offering readers an understanding of older lesbian women in Asia. Within specific historical and cultural contexts, these women\u2014strong and independent\u2014have crossed the boundaries of gender roles, exploring and living out same-sex desire.<\/p>\n\n\n\n

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\u201cTelling my story now doesn\u2019t mean I would\u2019ve shared it with anyone back then,\u201d said Ann.<\/p>\n\n\n\n

\u201cI still like going out, but it\u2019s hard to party properly when you\u2019re holding a walking stick,\u201d said Bo. \u201cThat kind of happiness is fleeting, but I enjoy it. This is my world\u2014even if it\u2019s sometimes a lonely one.\u201d<\/p>\n\n\n\n

\u201cIf there were a queer village where everyone spoke the same language, that would be perfect,\u201d said Yeung-Yeung.<\/p>\n<\/blockquote>\n\n\n\n

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Author<\/strong>: Denise Tang, Ng Wing YanTranslator<\/strong>: Lina XieTranslation reviewer<\/strong>: Gina Chin-yi Yang<\/p>\n\n\n\n

Editor<\/strong>: Enoch Yee-lok Tam, Xie Lina <\/p>\n\n\n\n

Art & Design<\/strong>: Somely So and Hsu Wei-lun (mmmmor studio)Illustrator<\/strong>: Kate Waterwood<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Edition<\/strong>: First edition, April 2024ISBN<\/strong>: 978-988-74162-8-9DOI<\/strong>: https:\/\/doi.org\/10.70783\/olderlesbians<\/a><\/p>\n\n\n\n

Page<\/strong>: 260, colour printingPrice<\/strong>: HK$158\/NT$512<\/p>\n\n\n\n

Language<\/strong>: Complex Chinese<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Content<\/strong><\/p>\n\n\n\n

RecommendationsPreface 1: Not Wanting to Leave with Regrets (by Mary Wong)Preface 2: A Survival Guide for Queer Women (by Lo Yu)Introduction (by Denise Tang)<\/p>\n\n\n\n

Story 1: The Modern Li Houzhu: A Tango for ThreeStory 2: Love-Obsessed: Thirty Years of Living Alone, Afraid of Never Being Loved<\/p>\n\n\n\n

Essay 1: Of Longing and Waiting: An Inter-Asia Approach to Love and Intimacy among Older lesbians and Bisexual Women<\/p>\n\n\n\n

Story 3: The GAYLINK: In My Next Life, I Want to Be a Gay Man<\/p>\n\n\n\n

Essay 2: Everyday Erotics in Urban Density: An Ethnography of Older Lesbian and Bisexual Women in Hong Kong<\/p>\n\n\n\n

Story 4: 50+ Love Chronicles: Catching the Millennium Queer Movement Train, From ICQ to Les PechesStory 5: A 36-Year Love Marathon: The Secret Is \u201cNo Comment\u201d <\/p>\n\n\n\n

Essay 3: Not Man Enough! Queer Asian Masculinities at the Field SiteBy Shawna Tang and Denise Tang<\/p>\n\n\n\n

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About the author<\/strong><\/p>\n\n\n\n

Denise Tse-Shang Tang<\/strong><\/p>\n\n\n\n

Tang is the Associate Dean (Teaching and Learning) of the Faculty of Arts and an Associate Professor in the Department of Cultural Studies at Lingnan University. She is the author of Conditional Spaces: Hong Kong Lesbian Desires and Everyday Life (Hong Kong University Press, 2011) and In Unison and Harmony: Oral History of Older Lesbian Women in Hong Kong (Typesetter, 2024). Her articles have been published in various international academic journals.She has received the “Humanities and Social Sciences Prestigious Fellowship” awarded by the Hong Kong Research Grants Council. Her research specialisations include gender studies, queer theory, transgender studies, and inter-Asian cultural studies. In addition, she served as a Hunt-Simes Visiting Professor in Gender Studies at the University of Sydney.<\/p>\n\n\n\n

Denise was the co-producer of the film All Shall Be Well and was the Programme Director of the Hong Kong Lesbian and Gay Film Festival from 2004 to 2005. As a community organiser, she has worked for women\u2019s organisations, community health centres, and LGBTQ+ groups in Vancouver, Seattle, and San Francisco. In the 1990s, she organised the first oral history exhibition for queer Asians and Pacific Islanders in Seattle, Leaving Silence: Queer Asian & Pacific Islander Oral History Exhibit, and hosted the first queer Asian conference in Western Canada, Lotus Roots, in Vancouver.<\/p>\n\n\n\n

Ng Wing Yan<\/strong><\/p>\n\n\n\n

Ng is a former feature editor at Ming Pao Weekly, where she covered social issues and wrote cover stories for the “Book B” section. She received a Merit Award for Expository Features at the Human Rights Press Awards.Focusing on gender and sexual minorities, she has contributed to and helped publish Big Love: Stories of the LGBT Community and co-organised Hong Kong\u2019s first “Pink Dot” event. Currently working as an independent journalist, her reporting has appeared on platforms such as Initium Media, Feature.HK, and Good Habits. She is also the co-author of Let’s Gather! Hong Kong Youths Pursue New Visions for Social Enterprises.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Recommendations (ordered by the Chinese stroke count of surnames)<\/strong><\/h2>\n\n\n\n
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In the 1990s, Hong Kong had already become a “world of glamour and excitement,” and it was also the period when my generation was just born and beginning to grow up.<\/p>\n\n\n\n

That era was precisely when our mothers were in the bloom of their youth.<\/p>\n\n\n\n

Even earlier, perhaps in the 1970s or as far back as the 1950s, the desires and memories of lesbian women were scattered across the city. Although their spaces were hidden, they were uniquely theirs: the Paris Theatre in San Po Kong, Disco Disco in Sheung Wan, women-only evening schools, and the bamboo theatres or playhouses where Yam Kim-fai and Pak Suet-sin operas were performed.<\/p>\n\n\n\n

Those of us born after 1990 also have our own spaces: Victoria Park and surrounding streets in Causeway Bay, university campuses, the West Kowloon Cultural District, gender organisations in Kwun Tong industrial buildings and other areas of Kowloon. In our generation\u2019s spaces, sexuality and desire flow freely; in the spaces of our generation, being queer does not require concealment\u2014our era is a fluid and open carnival (even though it has faded into decline after 2020).<\/p>\n\n\n\n

Our time is full of imagination and possibilities for diverse genders and sexualities. Yet this imagination is constantly awakened by the word “will” in this book (which appears thirteen times). Older lesbian women are inevitably closer to death and must endure the decline of their bodies while envisioning future spaces. As young lesbians, as time passes, love, coming out, and affirming one\u2019s gender identity have become lived experiences. What will our future look like?<\/p>\n\n\n\n

It is unknown, but one thing we share with older lesbians is that we will keep memories of embracing our lovers at home and every poem written for the ones we love. I wholeheartedly recommend In Unison and Harmony: Oral History of Older Lesbian Women in Hong Kong to “our” community and everyone else. <\/p>\n\n\n\n

\u2500\u2500Mx Erica\/Erics, ONEBOOKHALF Gender Safe Space<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Identifying as a lesbian is not a prerequisite for engaging in same-sex relationships. For these women who love women, their experiences are a matter of serendipity. Their lives resemble a film, unfolding like a cinematic narrative\u2014smooth and seamless, with moments of brilliance that cannot truly be appreciated until the very end.<\/p>\n\n\n\n

\u2500\u2500Tong Ping-an, Board Member, Taiwan Tongzhi Hotline Association<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Five love stories and three academic essays come together to weave the life stories of older lesbians in Hong Kong. Through this book, we learn about their long and winding searches for love, their struggles with sexual and gender identity, their complex relationships with family, and their reflections and preparations as they face the passage of time. In Unison and Harmony is a rare and invaluable book, filling a significant gap in the history of older lesbians in Hong Kong.<\/p>\n\n\n\n

\u2500\u2500Travis Kong, author of Oral Histories of Older Gay Men in Hong Kong: Unspoken but Unforgotten, Associate Professor of Sociology, The University of Hong Kong<\/p>\n<\/div>\n<\/div>\n\n\n\n

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In Unison and Harmony bears witness to the brilliance and challenges of an era, opening the eyes of younger LGBTQ+ individuals to the courage and extraordinary lives of older lesbians in Hong Kong. It broadens the perspective of the LGBTQ+ movement towards greater inclusivity.<\/p>\n\n\n\n

\u2500\u2500Gofyy, Founding Chairperson of the Taiwan Tongzhi (LGBTQ+) Hotline Association. author of Thirty Years of Taiwan\u2019s LGBTQ+ Movement<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Not for “gender equality,” nor for peeping the desire of those without “a penis,” this book captures the deeply erased footprints of half a century\u2019s journey in Hong Kong, revealing what seems to be an endlessness of gender buried beneath biological sex. Through the intricacies of history, it challenges the deeply rooted structures of power inequality in a colonial society.<\/p>\n\n\n\n

\u2500\u2500\u2014Yau Ching, Professor of English and American Language and Literature, National Central University, Taiwan<\/p>\n<\/div>\n<\/div>\n\n\n\n

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In Unison and Harmony reads like both a novel and an ethnography. These histories of love, loss, and coexistence spanning Hong Kong, Taipei, and Singapore not only enrich the collective portrait of lesbian women but also add depth and dimension to the generations we have lived through.<\/p>\n\n\n\n

\u2500\u2500Liu Wen, Assistant Research Professor, Institute of Ethnology, Academia Sinica<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Preface (Excerpt)<\/strong><\/h2>\n\n\n\n
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This is a collection of interviews with older lesbian women. Denise told me that the interviews spanned several years, from initial introductions to deeper connections. I believe this process is the most moving part of writing or research.The key interviewees in the book\u2014Ah On, Ah Po, Theo, Yeung-Yeung, and Pearl\u2014are vividly portrayed, speaking candidly and without pretense as they recount their pasts. At times sorrowful, at times passionate, sometimes masculine, sometimes feminine, their stories lead us through different eras. We journey from black-and-white films to colour cinema, from factory workers to office executives, from brick-like mobile phones to dating apps. Seasons change, decades pass\u2014sixty or seventy years in the blink of an eye. The once-na\u00efve young have become elders with white hair. Although they now carry walking sticks, their voices remain resonant, and their memories as vivid as ever.The weight of time makes these extraordinary interviews transcend mere personal retrospection or circulation within the lesbian community. Instead, they belong to society as a whole.<\/p>\n\n\n\n

\u2500\u2500Mary Wong, Hong Kong writer and Associate Professor of Chinese, Lingnan University<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Using rigorous fieldwork methods to explore the emotions and desires of queer women might sound detached, but Denise Tang and Ng Wing Yan handle the subject with just the right touch. They create an environment where interviewees feel comfortable enough to speak openly and honestly about everything, which is also a testament to the researchers\u2019 approachability. Reading this book reminds me of Travis Kong\u2019s Oral History of Older Gay Men in Hong Kong. That book was an eye-opener for me, but reading In Unison and Harmony evokes an inexplicable sense of care and concern\u2014perhaps because I can\u2019t help but think of myself or the friends around me.<\/p>\n\n\n\n

\u2500\u2500Lo Yu, author of Rong Rong and Grafting Methods<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n

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In Unison and Harmony’s Notebook<\/strong><\/p>\n\n\n\n

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Praises and Reviews<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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In the essay “50+ Quest for Love,” the protagonist Yeung-Yeung, who is over seventy, gains a deeper understanding of issues surrounding elder care and life after death following her mother’s passing. She worries about the possibility of becoming incapacitated or having to move into a care home. To ensure her partner, who is 20 years younger, can face such challenges calmly, Yeung-Yeung reflects on the lack of legal protection for partners in matters of inheritance and the right to make emergency medical decisions on behalf of one another. The story thoughtfully captures Yeung-Yeung\u2019s considerations and her intimate conversations with her partner.<\/p>\n\n\n\n

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Tong Ping-an<\/strong><\/a><\/p>\n<\/div>\n\n\n\n

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8 August 2024<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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In Unison and Harmony presents five individual life stories, each remarkable in its own right. What connects them all is the history of Hong Kong. As one reviewer notes, “This book isn\u2019t just for the lesbian community; it charts the history of Hong Kong itself.” Most of the interviewees grew up in less affluent circumstances, painting a vivid picture of Hong Kong\u2019s economic environment during those years.<\/p>\n\n\n\n

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Lo Pui Yiu<\/strong><\/a><\/p>\n<\/div>\n\n\n\n

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Published in April, In Unison and Harmony features the life stories of five older lesbians from Hong Kong alongside three academic essays. The five protagonists, mostly born in the 1950s, lived through the glitz and parties of the 1980s. Their lives were shaped by queer icons of the time, such as Yam Kim-fai and Leslie Cheung, while also being constrained by Confucian family values and patriarchal systems. Benefiting from the economic growth and internationalisation of the era, they managed to achieve relatively independent and self-sufficient lives, creating space for themselves as “unmarried women.”<\/p>\n\n\n\n

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Yi Xiaoai<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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28 June 2024<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\u3000<\/p>\n\n\n\n

\u3000<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

How did Hong Kong women born between the late 1930s and the late 1950s define love and intimacy? One danced a seventeen-year tango as part of a love triangle. Another vowed that in her next life, she would be a gay man. One has had countless romances but still lives alone, while another found true love at fifty. Yet another retreated into the closet at the same age due to religion.<\/p>\n

\u3000\u3000Today, they have reached their silver-haired years.<\/p>\n

\u3000\u3000This book combines moving life stories with a research lens on queer studies, offering readers an understanding of older lesbian women in Asia. Within specific historical and cultural contexts, these women\u2014strong and independent\u2014have crossed the boundaries of gender roles, exploring and living out same-sex desire.<\/p>\n","protected":false},"author":145170531,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":""},"class_list":["post-6809","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pai6UY-1LP","jetpack-related-posts":[{"id":6803,"url":"https:\/\/typesetter.hk\/en\/survivors-speaking-oral-stories-of-childhood-sexual-abuse-survivors\/","url_meta":{"origin":6809,"position":0},"title":"Survivors Speaking: Oral Stories of Childhood Sexual Abuse Survivors","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"20\/02\/2022","format":false,"excerpt":"Research indicates that one in seven women in Hong Kong has experienced sexual violence, yet fewer than one in ten of these victims seeks help, let alone shares their experiences publicly. Thanks to the courage of nine survivors of childhood sexual abuse who agreed to speak out, this book documents\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6990,"url":"https:\/\/typesetter.hk\/en\/gaga-feminism\/","url_meta":{"origin":6809,"position":1},"title":"Gaga Feminism","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"25\/01\/2019","format":false,"excerpt":"\u5728\u300a\u5361\u5361\u5973\u6027\u4e3b\u7fa9\u300b\u4e2d\uff0c\u5091\u514b\uff08\u6731\u8fea\u65af\uff09\uff0e\u54c8\u4f2f\u65af\u5766\u56de\u7b54\u9019\u4e9b\u554f\u984c\u4e4b\u9918\uff0c\u9084\u5617\u8a66\u8aaa\u660e\uff0c\u904e\u53bb\u5e7e\u5341\u5e74\u4f86\u54ea\u4e9b\u6587\u5316\u8f49\u8b8a\u6539\u5beb\u4e86\u6027\u5225\u548c\u6027\u76f8\u7684\u653f\u6cbb\u3002\u9019\u65b0\u7684\u5716\u666f\u8272\u5f69\u7e7d\u7d1b\uff0c\u6db5\u84cb\u4e86\u73fe\u8c61\u5982\u61f7\u5b55\u7537\u4eba\u3001\u8001\u4f86\u5973\u540c\u6027\u6200\u8005\u3001\u6d77\u7dbf\u5bf6\u5bf6\u548c\u9177\u5152\u5bb6\u5ead\u3002\u9019\u4e9b\u6d3b\u751f\u751f\u7684\u73fe\u8c61\u8207\u4e3b\u5c0e\u6d41\u884c\u5a92\u9ad4\u7684\u7570\u6027\u6200\u5e38\u898f\u6558\u4e8b\u5982\u65af\u4e0d\u540c\uff0c\u6211\u5011\u8a72\u5982\u4f55\u7406\u89e3\u7576\u4e2d\u7684\u5dee\u8ddd\u5462\uff1f\u54c8\u4f2f\u65af\u5766\u63d0\u51fa\uff0c\u6211\u5011\u53ef\u4ee5\u64c1\u62b1\u6df7\u4e82\uff01\u54c8\u4f2f\u65af\u5766\u65e2\u6a5f\u667a\u53c8\u5c16\u92b3\uff0c\u63ed\u793a\u4e86\u5728\u7e7d\u7d1b\u7684\u73fe\u8c61\u548c\u5e38\u898f\u4e4b\u9593\uff0c\u6211\u5011\u53ef\u4ee5\u627e\u5230\u65b7\u88c2\u7684\u7a7a\u9593\uff0c\u4ee5\u65b0\u7684\u5f62\u5f0f\u53bb\u601d\u8003\u6027\u3001\u611b\u548c\u5a5a\u59fb\u3002","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6793,"url":"https:\/\/typesetter.hk\/en\/on-embodiment-seventy-seven-philosophical-contemplations-by-a-female-professor\/","url_meta":{"origin":6809,"position":2},"title":"On Embodiment: Seventy-Seven Philosophical Contemplations by a Female Professor","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"14\/09\/2021","format":false,"excerpt":"To embody is to be born into the world as a woman, traversing the walls of existence. \u3000\u3000Born a woman, one moves in response to the material world, contemplating not just the inner storms of the mind but the interplay between body and being. Man Kit-wah\u2019s reflections on philosophy, art,\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6964,"url":"https:\/\/typesetter.hk\/en\/grounded-art-criticism-newspaper-clippings-collection-of-oscar-ho-1980s-1990s\/","url_meta":{"origin":6809,"position":3},"title":"Grounded Art Criticism: Newspaper Clippings Collection of Oscar Ho (1980s\u20131990s)","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"23\/05\/2020","format":false,"excerpt":"This book compiles Oscar Ho\u2019s newspaper articles from the 1980s to 1998. As an art critic, cultural management professor, and curator, Ho began writing art criticism for various newspapers in the 1980s. Using accessible language, he provided insightful and straightforward evaluations of artworks, demystifying the often distant and unapproachable image\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6955,"url":"https:\/\/typesetter.hk\/en\/uncanny-city-dr-esther-cheungs-collection-of-hong-kong-film-studies-articles\/","url_meta":{"origin":6809,"position":4},"title":"Uncanny City: Dr. Esther Cheung’s Collection of Hong Kong Film Studies Articles","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"04\/01\/2021","format":false,"excerpt":"The late scholar Dr Esther Cheung Mei-kwan (1958\u20132015) specialised in Hong Kong literature and cinema. Through iconic Hong Kong films, she uncovered the city's complex and contradictory emotions, offering insights into how creative works are deeply intertwined with the eras that produce them. From The Secret and Rouge to Made\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6652,"url":"https:\/\/typesetter.hk\/en\/publication-en\/","url_meta":{"origin":6809,"position":5},"title":"Publication","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"19\/07\/2025","format":false,"excerpt":"Welcome to the world of Typesetter, where each book you read is an exhilarating textual journey. Within the intricate web of knowledge, we constantly unravel concepts and pave the way to understanding the world.","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/10\/Still-Jumping-webcover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/10\/Still-Jumping-webcover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/10\/Still-Jumping-webcover.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/10\/Still-Jumping-webcover.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/10\/Still-Jumping-webcover.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/10\/Still-Jumping-webcover.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/pages\/6809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/users\/145170531"}],"replies":[{"embeddable":true,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/comments?post=6809"}],"version-history":[{"count":8,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/pages\/6809\/revisions"}],"predecessor-version":[{"id":8009,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/pages\/6809\/revisions\/8009"}],"wp:attachment":[{"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/media?parent=6809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}