https:\/\/www.taylorfrancis.com\/chapters\/edit\/10.4324\/9781003458111-14\/hong-kong-starchitecture-action-sci-fi-cinema-lorrie-palmer<\/a><\/p>\n\nAbstract<\/p>\n\n
This chapter proposes that the spectacle of the Hong Kong battle sequences in Pacific Rim<\/em> (Guillermo del Toro, 2013), Transformers: Age of Extinction<\/em> (Michael Bay, 2014), and Godzilla vs. Kong<\/em> (Adam Wingard, 2021) reveals, through the growth of a discursive space that flows from their representational qualities into a transmedia network of architectural display, movie fandom, and urban tourism, an evolving view of what constitutes iconic and cinematic Hong Kong starchitecture.<\/p>\n\nBoth onscreen and as massive media screens, these Hong Kong hyperbuildings \u2013 Norman Foster\u2019s HSBC (1985) and I.M. Pei\u2019s Bank of China tower (1990), as well as the Instagram-friendly \u201cMonster Building\u201d (formerly a 1960s public housing development) \u2013 cement their architectural iconicity and stardom, not just through the global reach of the representations themselves, but also through subsequent fan activities which continue to facilitate the wider, ongoing spatial cultural discourse of iconicity.<\/p>\n\n
Thus, the transmedia fictions of these action-sci-fi films unite celebrity architects and star buildings with interactive movie fandom, digital tourism, and social media when the monsters and machines come to Hong Kong.<\/p>\n","protected":false},"excerpt":{"rendered":"
Author: Lorrie Palmer Source: Cinematic Starchitecture Link: https:\/\/www.taylorfrancis.com\/chapters\/edit\/10.4324\/9781003458111-14\/hong-kong-starchitecture-action-sci-fi-cinema-lorrie-palmer<\/a> Abstract This chapter proposes that the spectacle of the Hong Kong battle sequences in Pacific Rim (Guillermo del Toro, 2013), Transformers: Age of Extinction (Michael Bay, 2014), and Godzilla vs. Kong (Adam Wingard, 2021) reveals, through the growth of a discursive space that flows from their representational […]<\/p>\n","protected":false},"author":145170531,"featured_media":6534,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[776957933],"tags":[776958211,776958054,776958076,776958212],"class_list":["post-7482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category--en","tag-architecture","tag-film-studies","tag-newsroom","tag-transmedia-studies"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pai6UY-1WG","jetpack-related-posts":[{"id":7063,"url":"https:\/\/typesetter.hk\/en\/2025\/09\/09\/article-the-making-of-keung-to-bay-fandom-urban-space-and-affective-alliance-in-hong-kong\/","url_meta":{"origin":7482,"position":0},"title":"[Article] The Making of Keung To Bay: Fandom, Urban Space and Affective Alliance in Hong Kong","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"09\/09\/2025","format":false,"excerpt":"Author: Lucetta Y. L. Kam, Carol P. H. Chow Source: Intersectionality and the City Link: https:\/\/www.taylorfrancis.com\/chapters\/oa-edit\/10.4324\/9781003529729-18\/making-keung-bay-lucetta-kam-carol-chow Abstract This chapter examines the implications of mass fan activities and mobilizations that have become popular in Hong Kong in recent years. Using the fan event of \u201cKeung To Bay\u201d in Causeway Bay as\u2026","rel":"","context":"In "Hong Kong Studies Newsroom"","block_context":{"text":"Hong Kong Studies Newsroom","link":"https:\/\/typesetter.hk\/en\/category\/%e9%a6%99%e6%b8%af%e5%ad%b8%e8%a1%93%e6%83%85%e5%a0%b1%e5%ae%a4-en\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8120,"url":"https:\/\/typesetter.hk\/en\/2026\/06\/15\/spooky-encounters-with-stiff-corpses-hong-kongs-cinema-of-the-undead\/","url_meta":{"origin":7482,"position":1},"title":"[Article] Spooky Encounters with Stiff Corpses: Hong Kong\u2019s Cinema of the Undead","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"15\/06\/2026","format":false,"excerpt":"Author: Paul A. J. Lewis & Peter True Source: The Palgrave Handbook of the Zombie Link: https:\/\/link.springer.com\/rwe\/10.1007\/978-3-032-05696-2_24 Abstract The paradigms of the Hong Kong zombie film were established in pictures about goeng-si, beginning with Sammo Hung\u2019s 1980 film Spooky Encounters and Ricky Lau\u2019s 1985 picture Mr. Vampire. Though goeng-si films\u2026","rel":"","context":"In "Hong Kong Studies Newsroom"","block_context":{"text":"Hong Kong Studies Newsroom","link":"https:\/\/typesetter.hk\/en\/category\/%e9%a6%99%e6%b8%af%e5%ad%b8%e8%a1%93%e6%83%85%e5%a0%b1%e5%ae%a4-en\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":7470,"url":"https:\/\/typesetter.hk\/en\/2025\/12\/22\/article-from-trash-to-art-heritage-performance-and-the-heritagisation-of-neon-signs-in-hong-kong\/","url_meta":{"origin":7482,"position":2},"title":"[Article] From Trash to Art: Heritage Performance and the Heritagisation of Neon Signs in Hong Kong","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"22\/12\/2025","format":false,"excerpt":"Author: Veronica Sau-wa Mak and Kelly Ka-lam Lee Source: Arts, Heritage and Performative Politics Link: https:\/\/www.elgaronline.com\/edcollchap\/book\/9781035321087\/chapter12.xml?tab_body=abstract-copy1 Abstract Recently, the demolition of half-century-old iconic neon signs \u2013 a newfound form of art and heritage in Hong Kong \u2013 has attracted the attention of visual art and sociolinguistic scholars. Engaging with critical\u2026","rel":"","context":"In "Hong Kong Studies Newsroom"","block_context":{"text":"Hong Kong Studies Newsroom","link":"https:\/\/typesetter.hk\/en\/category\/%e9%a6%99%e6%b8%af%e5%ad%b8%e8%a1%93%e6%83%85%e5%a0%b1%e5%ae%a4-en\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":7146,"url":"https:\/\/typesetter.hk\/en\/2025\/09\/30\/article-testing-the-canon-digital-scholarship-and-early-cinema-in-hong-kong\/","url_meta":{"origin":7482,"position":3},"title":"[Article] Testing the canon: Digital scholarship and early cinema in Hong Kong","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"30\/09\/2025","format":false,"excerpt":"Author: Emilie Yueh-yu Yeh Source: Journal of Chinese Cinemas Link: https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/17508061.2025.2518014 Abstract A History of Film Exhibition and Reception in Colonial Hong Kong (1897\u20131925) and Early Chinese Film Database are two digital humanities projects made to share new historical data on early cinema in Hong Kong and China. Information held\u2026","rel":"","context":"In "Hong Kong Studies Newsroom"","block_context":{"text":"Hong Kong Studies Newsroom","link":"https:\/\/typesetter.hk\/en\/category\/%e9%a6%99%e6%b8%af%e5%ad%b8%e8%a1%93%e6%83%85%e5%a0%b1%e5%ae%a4-en\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8151,"url":"https:\/\/typesetter.hk\/en\/2026\/06\/22\/article-deconstruction-of-chinese-masculinity-adaptation-of-hong-kong-gangster-films-and-political-criticism-in-television-series-the-knockout\/","url_meta":{"origin":7482,"position":4},"title":"[Article] Deconstruction of Chinese Masculinity, Adaptation of Hong Kong Gangster Films, and Political Criticism in Television Series The Knockout","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"22\/06\/2026","format":false,"excerpt":"Author: Xuechun Jin Source: CINEJ Cinema Journal Link: https:\/\/cinej.pitt.edu\/ojs\/cinej\/article\/view\/763 Abstract This study examines how the popular Chinese television series The Knockout crystallises political significance by mobilising intertextuality and deconstruction of masculinity. It argues that, The Knockout adapts the narratives and aesthetics of space, building, and natural scene in the Hong\u2026","rel":"","context":"In "Hong Kong Studies Newsroom"","block_context":{"text":"Hong Kong Studies Newsroom","link":"https:\/\/typesetter.hk\/en\/category\/%e9%a6%99%e6%b8%af%e5%ad%b8%e8%a1%93%e6%83%85%e5%a0%b1%e5%ae%a4-en\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":7513,"url":"https:\/\/typesetter.hk\/en\/2026\/01\/05\/article-preliminary-study-of-drone-delivery-systems-in-hong-kong\/","url_meta":{"origin":7482,"position":5},"title":"[Article] Preliminary Study of Drone Delivery Systems in Hong Kong","author":"\u624b\u6c11\u51fa\u7248\u793e","date":"05\/01\/2026","format":false,"excerpt":"Author: Yuk-Ting Chow, Wong Chi Yat and Yui-yip Lau Source: Artificial Intelligence and Communication Technologies Link: https:\/\/www.publications.scrs.in\/chapter\/978-81-955020-5-9\/30 Abstract The rise of drone delivery systems is due to the wave of industry 4.0. The outbreak of the COVID-19 pandemic reinforces the importance of drone delivery systems in order to minimize the\u2026","rel":"","context":"In "Hong Kong Studies Newsroom"","block_context":{"text":"Hong Kong Studies Newsroom","link":"https:\/\/typesetter.hk\/en\/category\/%e9%a6%99%e6%b8%af%e5%ad%b8%e8%a1%93%e6%83%85%e5%a0%b1%e5%ae%a4-en\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/typesetter.hk\/wp-content\/uploads\/2025\/03\/article.png?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/posts\/7482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/users\/145170531"}],"replies":[{"embeddable":true,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/comments?post=7482"}],"version-history":[{"count":1,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/posts\/7482\/revisions"}],"predecessor-version":[{"id":7483,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/posts\/7482\/revisions\/7483"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/media\/6534"}],"wp:attachment":[{"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/media?parent=7482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/categories?post=7482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/typesetter.hk\/en\/wp-json\/wp\/v2\/tags?post=7482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}